Date: 23 Jun 11-27 Jul 11
Location of accommodation: Club Mirissa
Activities: Reading, guitar, surfing, running, swimming.
Money spent: Avg:
900.00 Rs/ night accommodation w/ breakfast
600.00 Rs./day food.
Special experiences:
I did absolutely NOTHING here but read, surf and hang out in my room. It was a very healing time, incredibly introspective and quiet, with absolutely NO pressure.
Insights:
In Sri Lankan “May I help you” is, literally, “What do you want.” The Sri Lankans translate this to English and use it for customer service. It sounds horrible, but is by no means meant to be offensive.
Thought of the month:
There is no loneliness that the road cannot drive away. It is time to move on.
There is no activity as good as reading.
There is no job as good as research.
There is no sport as healthy as surfing.
Photo of the month:
Poem of the month:
20 Jul 11
The suns send sparkles throughout the daily hours
Not so like Earth,
And who can say if the lesser sun rules nighttime or day,
The moons are not visible anyway,
And you can read a book and drive your car
Without needing sunshades like when shines the brighter star,
Glare of sunscreen over the eyes is an artificial night,
And most of them sleep anyway, during this time.
But not so the wandering Beat Boys,
Named after so many years era’s gone by
Beatnicks, back before humanities joys
Had been exported beyond the sky
And ruled a paradise of transgalactic high-
Way hypertunnels through the wormholes
In the black sky that borders every life.
(God, they say, had to rescind his light,
to make room for the night. Rescind I’m
not sure, breath in,
breath in, and breath out the dark,
one might exhalation before he spoke the spark
of the Phoenix creator
that breaches the gap between first and last
so that there is no first and last,
only the constant cycle
pitter patter pitter patter
of rising and falling breath-filling life,
spoken as the reflection of God.
Are we breathing out while God is breathing in?
Makes you wonder,
And I do).
The wandering Beat Boys,
This galaxy isn’t big enough for our jiving styles
Our finger licks and our juju toys
Like a Carzac coin clipping wind on the flip-bys
Of the city street vacuum lamps,
Sucking up the heat of the Greater Sun
While the children sleep and the tramps
Break bread in the parks by the tun-
Nels of love, where the gay boys
Go to Beat sticks together in the anti-rhythm
Of howling against the skirt. Noise
Will always be noise, and the lights so bright in the pavilions
Of the tunnels that nobody can see what you do,
And those boys where the darkest shades you’ve ever seen
To block out the sun stream-
Ing in from on high. The sky
Erupts with the fire of young-men-never-die
Love raised to the startops of faraway blues,
Their feet itching on the underside from all
The sundrop beating on the blacktop, up through their shoes,
Mean 20th century Industrial blacktop poverty crawl-
Ing on this world like indecision. The technological age
Never made it to Kelsa Minor, it’s always been a stage
For the theater of the blue jeaned lovers left stranded
In material time through some strange reflection
On a time they don’t want to teach you about but branded
On the palms of every 12 year old boy confession
Time confession time you know you do, too.
We all want to be cowboys, riding the Simatar
Hordes across the Plains of Blue
Where Kristam met his end at the hands of the Jews,
Or gay men in sun-swollen shoes
(so they’ll teach you in their church-swollen schools,
all Kristam Kristam till the last man is through).
The Beat Boys.
Now that’s a different drummer,
Running on the hills
And in the streets and on the soft grey
Chrystaline sea,
All splish splash splish splash
Too fast to be boulderdash
Sinking in the semi-liquid up to the knee.
Running on water’s always alright with me.
There’s Tomboy
Dickboy
Rickroy
And Slim,
And me and old Scrawny Kid
Don’t forget about him.
I’m worried about Scrawny,
He’s starting to pick up the sin,
I found spoons in his room
Bending over for him.
Tomboy’s a girl,
And I got in her shorts,
But she don’t like me no more
She don’t like me no more like that.
Dickboy’s from Chadding,
Just over the ridge,
Where the rich boys pretend
That they’re on Omega Six
Playing backgammon for money
With the superstar rich,
All in linen waisvests with no shirt on their skins,
Smiling and smoking and drinking their gin.
But Dickboy plays bass, so we’ll let it slide just for him.
Rickroy—he’s cotton, if ever cotton there was,
None of this polyester shit they got on all of us.
I’m so sick of the oil that keeps us stuck in the sludge,
This planet’s only oil,
What’s the use of that gunge?
(they say a thousand years ago, back on Home Earth,
oil was 100 dollars a barrel worth,
and they’d go to war with each other therefore.
I can’t imagine our lives could be worse—but that sounds
Like hell). Slim, he ain’t got no money,
He’s just like the rest of us down on his luck
And trying to pick up his payment
In the music we truck around on our
Backs like some Hadowinian Turtoise shell
From up Bleaker Bay way. We crawl in and out of it
Like we’re trying to make love to it. Hell, I don’t know,
I guess we are, and we’re hoping it will reproduce some ticket
Off of this rock. Me, you know. Scrawny Kid, he’s my best friend,
Always together, tight like the number two.
So they we were, speeding over Canal Street
Where the Sea of Blue pours over to meet
Roper’s Bay a hundred miles south of here.
(they built it three hundred years ago before the
big contractors came in to start exporting all the
Simatar Beef off planet. All the range rovers lost
Their livelihood, most of them, like my old man
Wandered into the cities to look for non-existent jobs.
That’s when he started playing the bars
Along Canal Street where we’re heading now,
But my old man’s a different story. You’ll meet him soon
Enough anyway, he’s got the sin pretty bad in him).
“Willam ‘Slick’ Burrows and the Beat Boys”
reads the marquis. Nice to see something there
talking about me and the gang,
and the old man’s been a local favorite
Since ’97, when he transferred up from
The lower vibrations—even if he still can’t shake
The spoon he’s rock solid on the sax.
I mean, not that anyone else talks about all that old-time
Materialist hype like they used to before high stakes
Capitalism moved in. Nowadays there ain’t no such thing
As spiritual materiality…it’s all just greed,
But we know what time it is around here
And my old man ain’t Willam Burrows by accident.
His mom’s got the third eye like you wouldn’t believe,
And she saw it from the moment of inception…
So she says.
They call me Junior, but I ain’t really,
Cause I ain’t much like my old man at all.
But that can wait.